Copyright 2012 InterAmerica, Inc. [Permission needed to
reproduce, otherwise copyright infringement will be pursued)
Found clues
point to a prank behind the most cherished UFO photographs in history. For over
six decades the two images taken by Paul Trent of McMinnville, Oregon have
continued to generate great debate about their authenticity. But investigation
now indicates that the two Trent images were likely ones of invention. If so,
how did a farmer fake so many for so long?
TRENT REDUX
Paul Trent
and his wife Evelyn were farming folks who lived in a rural area of the Pacific
Northwest. On May 11, 1950 Evelyn claimed that she had spotted a disk-like UFO
in their backyard and she called out for her husband to retrieve the camera
inside their home. Paul managed to run inside, run back out, and then snap two
photos of a mysterious aerial object. Those images even today are emblazoned in
the minds of those with UFO interest.
THE PHOTOS AND THE LIMITS OF PHOTO
ANALYSIS
Though many
UFO researchers (and even the Condon Committee) could see no obvious evidence of
hoaxed images, other researchers did.
The
essential fact is that the two photographs are gray and grainy. They are of low
resolution and they are produced from a simple box camera. Endless techniques,
technologies, enhancements and enlargements have been applied to test the
veracity of the images by many individuals over many years to varying
interpretations. But in real life one cannot always make lemonade out of a
lemon. Simply, the information that is
gleaned from a given image can only be as good as the image. And these are poor
images from which to work. Conclusively determining whether the object was
suspended or thrown- or whether the UFO is actually a rear view mirror, a small
scale model or a Dual record changer spindle part from 1940, or whether it is
indeed an actual full-sized unknown aerial cannot be accomplished solely by
technical analysis.
What we can
do is to investigate the photos in a far broader context. We must examine the
sequence of events and other elements of the story like this:
THE BOY ON THE LADDER: DADDY’S
LITTLE HELPER
Trent Son on Ladder Where UFO
Pictures Were Taken (Same Roll)
We must
ask, for instance, things like this: What
did the other photos taken on the roll containing the UFO photos depict? Well,
a picture of Paul Trent’s son is within that roll- and it speaks proverbial
volumes.
Often an
accompanying image can tell a lot about images that are in question. And in
this case, it surely does. On the very
same roll that the UFO photos were
taken we see a picture of a kid up on a ladder next to the very barn-like
structure that was found in the UFO pictures.
And this
young man is very interestingly positioned right where the saucer action was about
to occur. He is directly under where the UFO was also captured on film.
Why is this
kid on a ladder and being photographed in the “UFO spot”? And on the same roll?
And the
Trents later contradictions on just when
the photographs were taken can be accounted for when we understand that Trent
and the boy probably spent a great deal of time extending throughout the day to
do it just right. He couldn’t remember the precise time or he was not astute
enough to realize the significance of accurately correlating your story to your
image.
It is just
beyond curious and headed to the obvious: The boy was acting as Daddy’s little
helper, assisting in the preparation of the hoax set up in some way, perhaps
serving to frame the photos- or helping to angle and position the “UFO.”
It is known
that the other pictures on the roll were taken at a time well preceding the
photo of the kid on the ladder and the UFO photos. And Trent waited until
sometime after the UFO photos were taken to develop the film as he wanted to use
up the film exposures that were left remaining on the roll.
The farm
boy on the ladder certainly looks appropriately dressed for a cloudy, early day
in May in the Pacific Northwest, the time the UFO pictures were taken. And the
cloudy gray background sky above him appears suspiciously consistent with and
similar to that of the UFO photos. That is, by the looks of things, they could
have been taken on the very same day.
The fact
that the photo of the child on a ladder (which is taken near the barn-like
structure underneath the overhead wires) where a UFO would later also be
photographed appears in the same film roll give one more than simple pause.
This all clearly points to a prank. It almost appears that Trent was getting a
lesson in forced perspective and how to take pictures when your “subject
matter” is elevated in the air.
THE SAUCER AND FORCED PERSPECTIVE
With the
boy high atop the ladder under the wires near the barn, Paul Trent could
practice his UFO shot by looking through his viewfinder, aiming and framing and
composing the shot of the UFO to come. This would be a dry run. To have taken
practice exposures using the actual UFO model would of course be too damning.
And Paul
may have noticed something about kneeling
when taking a picture- you can force the desired perspective. The essential
thing missed by most is that they assume that Trent was standing upright when
taking the photo. But Trent, in taking shots of his small child off the ground,
realized that you could create illusions from varying perspectives.
If Trent
crouched down low with the boy high on a ladder, he could make the flying saucer look farther away than it really was:
By kneeling
down even a little bit, and by shooting up from that position, he could force
the perspective of the resulting photo to make it appear to have greater
distance, yet remain reasonably sharp in focus.
And a disc-like
object could easily have been thrown from that very ladder by his boy
accomplice when the ladder was placed out of view of the shot. Or the ladder
could have been used to suspend the object from the overhead wires. Take your
pick. But whatever the choice, a ladder, a kid atop it and forced perspective
somehow most certainly figure into the prank.
THE TRENTS WERE “REPEATERS”
Kim Trent
Spencer, the Trent’s granddaughter, told journalist Kelly Kennedy of the Oregonian something of missed
importance- the Trents were repeaters. That is, they had multiple UFO
“experiences.” Kennedy reports:
“Kim remembers talking about the UFO
pictures when she was young, but back then she didn’t know the details- but
that her grandmother had said she has seen UFOs before.” And much ignored is that Mrs. Trent
herself told the late researcher Philip Klass that she had seen UFOs both before
and after the photos were taken.
As Jerry
Seinfeld might say, “not that there’s anything wrong with that” –but when you
combine her prior UFO interest and prior sightings, her later sightings, her
family discussions about UFOs- with the fact that Mrs. Trent reported being the
first to see the photographed UFO- it is Mrs. Trent who should have been given
more attention when investigating the photos. Paul finally got his wife a
photograph of one of her coveted UFOs. She was certainly one darn lucky “repeat
witness.”
A STRANGE NOTE LEFT
An
intriguing handwritten note has surfaced that was composed by an apparent
friend of Paul Trent’s. Trent passed in the late 1990s. The note (in male
writing) was directed to Paul and was attached to one of Paul’s UFO photos. The
note-writer signs off to Paul by simply using his initials, “CM”- indicating
that they knew one another well.
CM writes,
“Paul I wish I could have been
there shooting with you on this day in 1950. If it’s real, then whoa! But if
you faked it, that’s even cooler. We can’t really fake stuff anymore. Years
later if it’s all fake… or maybe it’s all real. Same difference. Thanks for
this though.” CM
I can’t of course agree
with Paul’s letter-writer, CM. There is a big difference between what is fake
and what is real- and it is our obligation to truth to distinguish the two. And
strange that Trent’s own admirer CM cannot commit to certain belief that his
friend is telling the truth.
THE REASON FOR THE HOAX?
The Trents have been
described in the literature as having been “simple” farm folks. In 1950 there were only 6000 residents in
McMinnville. And the Trents were actually out in the sparsely populated
hinterlands of Yamhill County, running their ranch.
“Fun” during those times,
in that kind of place, may have encompassed playing around with a new camera,
wanting to outwit the city folks, involve the family in some UFO entertainment
and satisfy a wife’s saucer interests.
Though Paul Trent is
always spoken of in “neighborly terms” as being salt-of-the-earth, Paul Trent
was not an “unassuming man” without any interest in attention. He was not
humble nor “meek and mild.” And he was not at all shy to pose for the press
like an actor in these photos ops, ensuring his name in print and in history:
In fact it would be hard
to fathom anyone doing today what Paul Trent did to publicize his photos: Just
after the UFO photos were developed, Paul went to his local banker Frank
Wortman and allowed them to be displayed in the bank’s window where a local
passer-by and reporter would then spot them and have them published locally and
wind up carried nationally. Paul never objected to the publicity.
This placement of photos
in the window of a business reminds me of confessed UFO hoaxer and barber Ralph
Ditter of Zanesville, OH. Ditter placed his UFO photos up in the window of his
barbershop. Ditter too involved his child. His little girl wanted to see a UFO.
So Ditter “made one” using a toy wheel and captured it on camera for her.
And some say of the
Trents that no money was ever sought for the photos. But in reality, in 1970,
twenty years later and realizing their accrued value, the Trents insisted on
having their negatives back from the McMinnville Register, which held
them. According to Register Editor Philip Bladine, the Trents were not shy
to note to him that ‘they had never been paid for the negatives and thus wanted
them back.”
In the end, a farmer had
some fun. He wanted us to join along in the entertainment of trying to solve
his puzzle. Thank you for that, Paul Trent. Because I too have enjoyed playing
make believe in McMinnville. It was fun while it lasted. And it certainly
lasted a very long time.
AJB